Between Faces and Time 

Between Faces and Time exists in a suspended space where identity is neither fixed nor fully dissolved. The sculpture captures the human face in a state of transition—emerging, fading, and reshaping at once. Its features are not clearly defined; instead, they appear layered, softened, or partially fragmented, as if time itself has intervened in their formation.

The surface holds a quiet tension between presence and absence. Certain contours suggest familiarity—a glance, a profile, a trace of expression—yet they never fully settle into a single identity. This ambiguity invites the viewer to move around the piece, discovering shifting perceptions with every angle, as if encountering multiple faces within one form.

Material and texture play a central role, evoking erosion, memory, and the slow transformation of matter. The sculpture feels both ancient and immediate, like a relic that continues to evolve. It becomes a meeting point where past impressions and present perception intersect.

In this work, the face is not a final image, but a process—caught between what it was, what it is, and what it may become.

Statement

Between Faces and Time reflects my ongoing exploration of identity as something fluid and layered. I am drawn to the moment where the face is no longer a clear representation, but a space shaped by memory, experience, and transformation.

In my process, I allow time to be present within the material. I build, erase, and reshape, embracing imperfection as part of the work’s truth. The result is not a single face, but a convergence of many—each one carrying a fragment of a story, a moment, or an emotion.

I am interested in what exists between states—between clarity and obscurity, presence and absence, form and dissolution. This “in-between” is where I find meaning, where the work becomes alive and open to interpretation.

Through this sculpture, I invite the viewer to reflect on their own sense of identity—not as something fixed, but as something continuously shaped by time. The face becomes a mirror, not of appearance, but of experience.